Specfic writer and publisher Silvia Moreno-Garcia has traded rainy British Columbia for somewhat- less-rainy Portland–for a few days. She shared a couple of her vacation hours with me at lunch today.
Moreno-Garcia is, among other things, the publisher of Innsmouth Free Press. If you like horror and dark speculative fiction, you probably already know the site. It’s an online magazine packed with reviews, interviews, articles, and–thrice annually–fiction. (Horn-tooting: Moreno-Garcia and editor-in-chief Paula R. Stiles bought a story of mine, “The Second Sphinx,” for an upcoming fiction issue.)
Innsmouth Free Press serves up cosmic dread and Lovecraftian horror. As its recent anthology Historical Lovecraft shows, IFP’s vision of Lovecraftian horror is much broader than tales of appalling Elder Gods and forbidden tomes, wonderful as those are. In our conversation today Moreno-Garcia shared her enthusiasm for weird and dark fiction that reaches beyond the derivative to explore new territory, not just in subject matter but in approach to storytelling.
One weird tentacle has probed its way into Portland’s restaurant scene, and I’m not talking about calamari. Lunch took place at the Lovecraft Bar, a dark venue decorated with a cabalistic ceiling painting, Lovecraft posters and images, and many, many skulls. Animal, not human. In this spectral setting Moreno-Garcia and I talked about Clark Ashton Smith, the challenges and the importance of writing about the Other (cultures, races, eras), and trends in publishing. Ebooks are accounting for a much greater portion of total Historical Lovecraft sales than expected, Moreno-Garcia told me–a fact that fits in with a lot of what I’ve been reading lately about ebook sales.
Here’s hoping the Lovecraft Film Festival resumes here in Portland next year. It might lure Silvia Moreno-Garcia back for another visit.